Does the Batcave have a kitchen? If you are reading this, Bruce, call me. I designed a badass custom range hood. For you, I’ll even paint it black.
Of course, I didn’t design it with the Batman in mind (well not consciously, anyway). That’s the funny thing about design, you give it some top and bottom constraints, and then it just sort of meanders around as it wants.
What makes this pen so cool? Choices. And options. Options with choices. Options with options.
The minimalist Takumi Pure, from Tronnovate, a recent and astutely managed Kickstarter project, accepts every worthwhile ink refill on the planet (slight bias, here). Most importantly, it accepts the venerable Hi-Tec-C ink cartridge, the staple of my stable (write that three times, fast – without the ink skipping. My Hi-Tec-C can.).
Because it is constructed from light-weight aluminum (not a bit of cheap plastic anywhere), it is the obvious choice of weight conscious astronauts and long distance runners. And, tight-rope walkers.
The tip is adjustable (the length it protrudes from the barrel), so you can set the angle-of-attack to fit your writing preference.
It comes with two cap options (dome or flat).
The pocket clip is removable! I can’t emphasize how much I appreciate this option. Plus, the clip works fabulously on thick materials, like a leather briefcase or the pocket of your jeans. And, it doesn’t snag.
You can mix and match components between pens with different finishes. The black body with silver tip doubles, in a pinch, as a magic wand for your kid’s school play. How cool is that?
The branding is subtle and doesn’t detract from the aesthetic.
What’s most impressive? All these features come in a beautiful, minimalist design. Minimalism, by definition, strips an item down to its minimum function and aesthetic, leaving no room for customization and options. But, these people managed to break that rule without breaking it. Congratulations, Tronnovate!
Like pirates, boats and booty? Try Saint Malo – a medieval port town in northern France. Once the smarmy haunt of pirates (but not Johnny Depp, smarmy), there are still masts everywhere (but newer masts, and no sign of Johnny).
Robyn and I passed through Saint Malo back in 1990, a stepping stone on our way to the picturesque, but oh-so-touristy, Mont Saint Michel. We stopped here mainly to pick up some cheese and a loaf of French bread. After searching everywhere without success, a helpful Frenchman suggested, “We just call it bread here.”
Saint Malo has great beaches, but cold water. It is a nice place to spend a few hours walking the ramparts and sketching the boats before moving on to somewhere else, possibly somewhere with more Johnny, and booty.
Amazingly, this town was reduced to rubble during World War II by an Allied mortar attack intended to oust thousands of reported Nazis who were barricaded within. Turns out the reports were incorrect. There were fewer than a hundred. Oops.
A stroll along the ramparts (or jetty, or wall, or… well, you can walk on top of just about everything here)
Despite years of practice, Robyn, Beck and I are not levitating 103 storeys above Chicago (20 feet is about our limit). And, no, our magic carpet didn’t suddenly vanish, either – if I had a magic carpet, I certainly wouldn’t be bragging about it on a blog. Obviously, I’d be planning world domination, so I could make all of you my minions. Let’s just take a moment to revel in that thought…
Anyway. If you wake up in the middle of the night with an irrepressible urge to walk on glass that is higher than the clouds, Chicago’s Willis (formerly Sears) Tower is the place to be. You might want to wait until they open in the morning, though. I’d hate to read about your bullet ridden corpse in the paper. Not to mention, I’d have one less minion.
Seriously, though. I don’t have a magic carpet.
Once the tallest building in the world, the Willis skyscraper was recently retrofitted with glass boxes that project beyond its facade. While I understand the engineering behind this, it still makes me nervous. Maybe that’s why it makes me nervous.
The glass floor is not resting on a steel frame (i.e. strong and unbreakable) like you would expect. It is suspended by little bolts drilled through it and attached to the side panes of glass by a few more bolts. So, the glass floor is actually supported by the glass walls. The glass walls are themselves supported by a steel frame at the top (finally, some steel!) via more holes and bolts. That’s a lot of holes between you and the pavement below. The glass floor relies on the integrity of the swiss-cheesy glass walls to support the entire weight of you, hordes of well fed tourists and the glass box. Hope you didn’t eat a big lunch, too!
Also, did I mention you are walking on glass? Yes, it’s thick and laminated, and a magnificent work of engineering, but it’s still glass.
“Do the workers on the job site ever throw things at you”?
“Have you ever had a nail gun “accidentally” discharge into your thigh?”
“Do you have to dodge dirty buckets of water tipped from floors above”?
The answer to these questions is no, but probably should be yes. Why? Not because architects are mortal enemies of contractors (usually it’s more of a love fest with our contractors – we are fortunate to work with the best), but rather because we often push them to extremes.
This house and winery in Sonoma, California is a good example. Its heavy timber “crown” was painstakingly built on the ground and lifted by crane to cap the home’s lookout tower. It sure was easy to draw it on paper, but building it was somewhat more complicated. It is designed with concealed connections, which is where it gets tricky. You cannot simply nail or glue heavy timbers together. You have to bolt them (for some reason our clients don’t like their homes crashing down on them in the middle of the night – go figure). But we didn’t want to see the bolts.
If you are wondering about the design idea, the inspiration, for this home/winery:
The tower is symbolic of a wine bottle (this is a winery after all!).
The crown is the cork in the wine bottle.
The arched, barrel roof is derived from a wine barrel lying on its side.
The colors and materials are natural and “of the vineyard.”
The lumber for the crown was milled from trees on the site.
The colors of the home are found in the surrounding soils and Madrone tree bark.
The stone emanates from a nearby quarry, selected to match the site’s natural rock outcroppings
In my neverending quest to create “art you can live in”, I present this home in Calabasas, California. But, not as art for art’s sake. Anyone can design a home as a piece of sculpture, or as a shocking statement, but the true art lies in creating an artful home that also embraces the occupants. A thoughtful home that cuddles them and makes them feel comfortable. A romantic home that enriches their lives with textures, light and pleasing spaces throughout their day; all the while breaking away from the standard memes that we think of as a traditional home.
This provocative hilltop, floor-to-ceiling glass house just outside of Los Angeles, California provides stunning views of the city below across an infinity edge pool. Its flat roofs are green-planted and hold an extensive solar panel array along with water reclamation systems.
The owners of this loft desired a contemporary, yet warm and welcoming, subtle Asian aesthetic. To this end I employed a series of yin yang contrasts: dark vs. light materials, textured vs. smooth, horizontal vs. vertical elements.
The couple spends the winter in warmer climates, but wanted the design to subtly remind them of the winters they were missing when they were home for the summer. The cabinetry was designed to abstractly recall the leafless tree branches prevalent in a Minnesota winter. To achieve this, the cabinetry doors were stained dark grey. A branch pattern was then routed into their surfaces. Finally they were overlayed with a layer of sandblasted, black glass.
The materials are natural, quartered white oak cabinetry, sustainable warm-toned bamboo flooring, black slate and glass tile, black granite countertops and stainless steel. See the video interview or read the article at Trends Magazine.
This kitchen won first place, “Best of the Best” in Subzero’s coveted 2013 biannual regional kitchen design contest. It also garnered the 2013 RAVE (Residential Architects Vision & Excellence) award.