So, where do I start the process of designing a home? Often with a sketch. Just as often, it ends with a house that bears no resemblance to that sketch. But not always… We will just have to wait and see where this little house ends up.
When my son, Beck, was quite little I taught him the fine art of drawing monsters, mostly to show him what was lurking under his bed at night. While sitting on my lap trembling (hey, it was his idea!), we created a whole new concept in artistic teamwork: Simultaneous sketching. One piece of paper and three hands (to be fair, one of mine was tied behind my back). I’ll leave it up to you to determine who contributed what.
I think Beck wandered off during the drawing below, or I hid his pencils, or something):
After the lesson, I nudged, alright shoved, the little bird out of the nest. Here’s his final exam:
Honestly, I’d rather find one of my monsters under the bed than his.
It’s date night with my wife, Robyn, out for sushi and a movie. So, I asked her if she remembered the first cathedral we ever visited together in our travels over the years, because that is what architects talk about. That, and curling (the sport, not the irons).
For those of you on the edge of your seats, the cathedral in the small town of Amiens, France was our first. Not the biggest, not the best, but it holds a special place in our hearts. Why? Because the hotel in which we stayed that night had its very own shower in the room! We still had to walk down the corridor to use the toilet and sink, but who cares when you have your own shower.
“Say Robyn, do you remember the cathedral in Amiens?”
“You know, the one where our hotel room had a shower?”
“Oh yeah, that one. I’ll never forget that.”
Memories are funny. They often piggyback on one another and you cannot separate them.
not simply a church,
but a pathway to heaven,
God? This thing is big!
The island of Le Mont Saint Michel, France, leads the pack of the world’s most picturesque monasteries. I’ll have to add sketching the others to my bucket list. Hmm… never been to Tibet.
Can’t Get Enough Monastery Humor…
A young monk arrives at the monastery. He is assigned to help the other monks copy the old canons and laws by hand. He notices that all of the monks are copying from copies, not from the original manuscript.
So, the new monk goes to the head abbot to question this, pointing out that if someone had made even a small error in the first copy, it would never have been noticed! In fact, that error would be replicated in all of the subsequent copies.
The head monk, says, “We have been copying from the copies for centuries, but you make a good point, my son.” He goes down into the dark caves underneath the monastery where the original manuscripts are archived in a locked vault that hasn’t been opened for hundreds of years.
Hours go by and nobody sees the old abbot. The young monk gets worried and goes down to look for him. He sees him banging his head against the wall and wailing, “We missed the “R” ! , we missed the “R” !” He is crying uncontrollably. The young monk asks the old abbot, “What’s wrong, father?” With a choking voice, the old abbot replies, “The word was… CELEBRATE !!!
Sometimes Lazy Works
The sketch above was my second attempt to capture the essence of this extraordinary place. Partway through I downshifted into lazy gear and decided to skip drawing the foreground. Laziness is apparently a virtue as it resulted in an unexpectedly dynamic composition. Compare this sketch to my earlier one at the top of the page. That sketch emphasizes the charming, scenic character of the place, whereas the latter sketch captures the architectural spirit. Same pencil, two different interpretations of the same subject. I wish I could say that that was my intent. Lesson learned: What you leave out is as important as what you put in.
I needed more time here. Maybe not a lifetime as a monk, but at least enough for a few more sketches. Or, maybe Haiku?
Off to an abbey,
For a life, calm and serene,
Live it up now, boy!
You can’t swing a dead cat without hitting a street artist in Firenze, Italy. And because of some warp in space-time, both “yes” and “no” mean “si” – and “si” means, “I’ll pay anything you ask, if you would only sketch me. Please, please sketch me.”
All the while, in the back of your mind you are thinking, “Is he going to draw a portrait or caricature? But, of course you do it anyway, knowing your loving and supportive husband will be watching in the background, along with hordes of passing strangers, definitely not pointing and sniggering.
Twenty minutes of pretending to be whomever it is the artist is sketching, and it is fini.
As you can see, the portrait turned out not entirely unlike Robyn, but not quite like her either. The artist was very talented, but portraits are unforgiving. I believe ‘portrait’ in French means ‘perfect subtlety’. If a single line is slightly off or a curve is a bit pronounced, voila, the subject is someone else. I guess that explains all the hoopla over the Mona Lisa, a painting I never (gasp) really appreciated, even after seeing it in person.
Well, technically I saw it, about as well as Helen Keller. It’s a tiny painting, much smaller than you imagine. See if you can spot it in the photo above. The painting is shielded behind bulletproof glass, reflecting just enough glare to obscure the painting’s finer detail (all of its detail, really). No worries, though. You won’t be bothered by the glorious detail because you are kept back ten feet by a wood railing (undoubtedly to protect the bulletproof glass), and then another ten feet by stanchions that protect the wood railing that protects the bulletproof glass that protects the painting. I think Dr. Seuss wrote a book about that. Or was it a song?
But it doesn’t end there. There’s still the throng of tourists, likely paid by the museum to keep you away from the lovely stanchions. I think there are guard dogs and lasers, too, but I couldn’t get close enough to see. Remember to bring binoculars and a ladder. And, a sharp stick to prod the crowd.
It goes to show the French have a sublime sense of humor. Notice in the photo above how they tease you with a beautiful lunch table right beneath the painting, but you can’t eat there. I bet when lunchtime rolls around, the curators plop their brown bags on the table and gaze into Mona’s eyes for an hour, to the melodious background music of “Down in front!” Incidentally, the designers of this display are also renowned for their abattoirs.
Don’t be dismayed, however. The louvre is filled with other great, yet more accessible, art. Quite frankly, the Mona Lisa is just not that much of a babe anyway (you know you were thinking it. I just said it). Some experts believe it’s a self portrait of Leonardo da Vinci, with longer hair. If you visit Paris, you could safely give her/him a miss. Spend an hour with a croissant and a Sports Illustrated outside a cafe instead. Time better spent.
If you disregard my advice, at least don’t miss my favorite painting. We stumbled upon it on our first trip to Paris. I have never been the same since. See kids, museums can be fun!
Sorry about the detour. This post was about Firenze, right? OK, back to Italy…
We thanked the nice artist for the future memory, more so than the portrait (somehow it got lost on the way home), and went off to do some sketching of our own. What better subject than the picturesque Ponte Vecchio – much easier than sketching portraits. It almost sketches itself. Robyn’s sketch turned out better than mine, but at least I didn’t have to sit for half an hour with good posture.
Flipping through these old sketches reminded me of a night hike through the desert of Arizona (not to be confused with my once daily hikes through the desserts of Arizona. Those were more like pilgrimages, frankly).
Walking along a gravel road with a few friends on a dark, moonless night, mesmerized by the brilliant stars, I was startled by a sound behind me. What was that? Was that a rattle? What could possibly rattle in the middle of a desert? Did someone leave a small baby lying around? …Oh. Whipping around like Clint Eastwood without the chiseled chin, drawing my Colt 45 lookalike flashlight, I pulled the trigger and there in the beam, not five feet away, was a coiled rattlesnake – not just a rattlesnake, but the rattlesnake I had unknowingly stepped right over just moments before.
After the shock wore off and my eyeballs retracted back into their sockets, I slowly backed away, palms outstretched, saying, “Good doggie, gooooooood doggie” (because rattlesnakes are really just long, thin puppies). Go ahead and laugh. I’d like to know what you would do.
However, what may have actually saved me (and it) was the cool fall weather. Apparently, snakes become sluggish when cold and slither onto warm roads to soak up the leftover heat of the day. I probably stepped over the snake before its delayed senses even knew I was there. Yet, I prefer to believe the snake sensed a kindred spirit and let me off with a warning. Goooooood snake.
I just found one of Robyn’s dusty sketchbooks, long since forgotten in a closet. Here are a couple of her beautiful sketches of St. Malo, France, drawn during our honeymoon to Europe in 1990. Read the story here.
With some credit also due his mother, the Renaissance hill town of Urbino, Italy gave birth to the renowned, Raphael (the painter, not the Teenage Mutant Ninja Turtle).
In homage to both Raphael’s, here are two of my sketches, one of pencil using a light hand ala Raphael the painter, the other of ink with the heavier hand of a Ninja Turtle. Let the match begin and may the best man, or cartoon reptile, win (betcha thought turtles were amphibians)!
And the winner is …………………….. ? Raphael!
(didn’t see that coming, did you?)